Biography of the pixel (Record no. 4358)

MARC details
000 -LEADER
fixed length control field 02281nam a22001817a 4500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20221215114850.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 221215b ||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780262542456
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 777.7
Item number SMI
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Smith, Alvy Ray
245 ## - TITLE STATEMENT
Title Biography of the pixel
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Name of publisher, distributor, etc. MIT Press
Place of publication, distribution, etc. Cambridge
Date of publication, distribution, etc. 2021
300 ## - PHYSICAL DESCRIPTION
Extent x, 548 p.
365 ## - TRADE PRICE
Price type code USD
Price amount 39.95
520 ## - SUMMARY, ETC.
Summary, etc. he pixel as the organizing principle of all pictures, from cave paintings to Toy Story.<br/><br/>The Great Digital Convergence of all media types into one universal digital medium occurred, with little fanfare, at the recent turn of the millennium. The bit became the universal medium, and the pixel—a particular packaging of bits—conquered the world. Henceforward, nearly every picture in the world would be composed of pixels—cell phone pictures, app interfaces, Mars Rover transmissions, book illustrations, videogames. In A Biography of the Pixel, Pixar cofounder Alvy Ray Smith argues that the pixel is the organizing principle of most modern media, and he presents a few simple but profound ideas that unify the dazzling varieties of digital image making.<br/><br/>Smith's story of the pixel's development begins with Fourier waves, proceeds through Turing machines, and ends with the first digital movies from Pixar, DreamWorks, and Blue Sky. Today, almost all the pictures we encounter are digital—mediated by the pixel and irretrievably separated from their media; museums and kindergartens are two of the last outposts of the analog. Smith explains, engagingly and accessibly, how pictures composed of invisible stuff become visible—that is, how digital pixels convert to analog display elements. Taking the special case of digital movies to represent all of Digital Light (his term for pictures constructed of pixels), and drawing on his decades of work in the field, Smith approaches his subject from multiple angles—art, technology, entertainment, business, and history. A Biography of the Pixel is essential reading for anyone who has watched a video on a cell phone, played a videogame, or seen a movie. 400 pages of annotations, prepared by the author and available online, provide an invaluable resource for readers.
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Computer animation
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Shelving location Date acquired Source of acquisition Cost, normal purchase price Total Checkouts Full call number Accession Number Date last seen Copy number Cost, replacement price Price effective from Koha item type Bill No Bill Date
    Dewey Decimal Classification     IT & Decisions Sciences Indian Institute of Management LRC Indian Institute of Management LRC General Stacks 12/15/2022 International Book Centre 2172.29   777.7 SMI 004005 12/15/2022 1 3303.87 12/15/2022 Book IB/IN/779 24-11-2022

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